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5-piece band from Cambussbaron (Stirling) who were extremely popular all over Scotland. They were featured several times in the "242" pirate ship magazine and the photograph came from the 1966 Xmas Edition! Kazik played with the band between 1966-68. John Mylchreest (original vocalist) notes: " The Barons original line up was Eric Brown (lead guitar), Tam Clarke (rhythm guitar), Rab Leask (bass guitar), Alex (Eck) Davidson (drums)
and me on vocals. As we developed we began to take an interest in Motown
and Eric decided to get an organ (i think it was a Farfisa) and Tam
decided to stop playing and become the roadie. This led to us bringing
in Kazik Waluziak on Lead guitar.The motown thing meant that we would
have to learn harmonies and so all the guys became vocalists and
everybody had at least one song as the lead singer. We worked most weeks
four or five nights as we were pretty good".
Legendary Scottish folk act formed in 1969 by Falkirk born multi-instrumentalis Brian McNeill (vocals/fiddle/mandolin/ bouzouki/cittern/concertina), along with John Gahagan (concertina /whistle), Jamie McMenemy (vocals/citern/ guitarra) & Alan Reid (vocals/ organ/guitar). The act played around folk clubs in Scotland until 1977 when they released their debut eponymous album on Topic Records.
Band formed in 1962 featuring Davey Anderson (guitar), Kenny "Eccles" McLean (drums), David Paton (guitar), Mike Rowberry (vocals) & Polmont musician Sandy Walusiac (bass). When a 15 year old David Paton saw an advertisement in the Evening News which said "Edinburgh's top band require lead guitarist", his sister phoned up and arranged an audition. Thanks partly to some flashy equipment Paton borrowed from his sister's boyfriend and more so to his talent, he got the gig and became the lead guitarist for The Beachcombers. The band was hugely popular in Scotland and played on a regular basis there and throughout Northern England. When The Beachcombers heard that CBS Records were holding auditions for new talent at The Marquee Club in London, the band got rolling. It was a long drive from Edinburgh, but they made it and definitely found the trip to be worth the effort. Not only did the band get a recording contract with CBS Records, but also got a residency at The Marquee Club! Once they signed the contract, the band changed their name to The Boots in 1968, because another band called The Beachcombers were already recording artists.
5-piece formed in the 1960's featuring George Orr (guitar), Bobby Nixon (vocals), Sandy Borthwick, Gordon Smith & Graham Pickles. Orr then went on to play with The Sun, whilst Nixon later formed Castle.
Act from the early 1960's (1963 at least) with Bill Hastings (guitar), Barry Hall, Bobby Duncan & Jim Allan, who played mostly at local venues. Duncan's father was the Golf Club Steward at the Camelon Club, and one Sunday night when Hastings was there he was approached by a local businessman, Peter Fallon, who had organised a competition for local groups, the winning prize was a week recording in London with EMI, Decca, & Pye. The Forthbeats did not win, however Hastings almost immediatly joined one of the acts that did, Tommy & The Delmonts, whilst the rest of the band became The Trespassers in June 1964.
Local act from 1969 featuring Davy Waugh (vocals, ex-Heenan Froude Set), Hamish Miller (drums), Charlie Dyer (bass, ex-Heenan Froude Set), Bill Hastings (guitar, ex-Scotsmen) & Frank Ferrari (keyboards, ex-Prize Chunks). The band played all over Scotland, but fancied a shot abroad, so answered an advert in the Melody Maker. The received a call from one Albergio Crochetta, owner of the Piper Clubs and Piper records, who wanted an opening act for a 16-date tour of Italy. They were asked to secure rehearsal rooms in London, and let him know where and when and he would come and see them. After a local gig, the band packed their ex-Co-op van, bought by Dyer for £18, and set off to London. Setting up in the Pied Bull Pub in Islington, the band did a sound check, and then promptly fell asleep. A rather well dressed Italian gent with a blonde on each arm was there when they woke up. They played their set for him, and he must have liked what he saw, as a contract appeared, was inspected by the band, and duly signed.
Bill Hastings notes "After the demise of The Pack I got a call from a friend, former Bass player with the
Delmonts, Rod Harley. He told me to get over to Germany
ASAP, he had a job for me with a German group called the Guitar Strings. Rod
had gone over with the Delmonts, and decided to stay there, in fact he still
lives in Munich. So off I went to Germany.
I had no guitar, but Rod gave me his 6 string Fender Bass
which I strung down, great sound from it. The band
were booked to play for the American troops in Enlisted men clubs.
No women allowed, unless they were kept out of main club and
were with husbands. We did not pay for
food, drinks, digs, and we got a big fee as well. You were in each club
for a
month at a time and the accommodation you were given depended on
the group size - 4
piece? - 4 bedrooms. The hair had to be a bit shorter given that we
were playing for the American Military, it seemed the right thing to do to fit
in a bit better, long hair to a serviceman at that time was a bit girlie, better for future work